Editing Kaycee Rice (section)

==Print Media==
===Newspaper Articles===
{| class="wikitable"
! Date
! Newspaper
! Title
! Subject
! Notes
! Refs
|-
|2019.10.24
|
Icon vs. Icon
|''Sage Charmaine keeps it real in the new video for "Around"''
|Sage's new video after "June" went viral and had on Spotify 200k turns. (see music videos)
|Sean & Kaycee performed on it in a retro look of the 50-60's.
|<ref>[https://www.iconvsicon.com/2019/10/24/sage-charmaine-keeps-it-real-in-new-video-for-around/ Sage Charmaine keeps it real in the new video for "Around"]</ref>
|-
|2019.10.24
|The Strats Times
|''Dance influencers see social media as their calling card"''
|How dance stars such as [[Taylor Hatala]], Kaycee, Delain Glazer or Kida the Great, James Derrick (BDash WoD season 2) use systematical social media for business, promotion and financing of their carriers.
|"You have an entire generation around the world who identifies with her," Mr Shapiro says. "Kaycee is reaching 13-to 18-year-old kids and shaping what kind of entertainment they like. So when she grows up and produces bigger projects, she'll have fans whose values she's shaped."
|<ref>[https://www.straitstimes.com/lifestyle/entertainment/dance-influencers-see-social-media-as-their-calling-card Dance influencers see social media as their calling card]</ref>
|-
|2019.10.18
|The Washington Post
|''Janet Jackson hired her as a backup dancer. Instagram made her a star.''
|How dance stars such as [[Taylor Hatala]], Kaycee, Delain Glazer or Kida the Great, James Derrick (BDash WoD season 2) use systematical social media for business, promotion and financing of their carriers.
|“The difference between Paula Abdul at her start and Kaycee Rice is that Kaycee analyzes the data behind her videos, like engagement and retention rate,” Shapiro says - chief executive of Ensemble Digital Studios, an artist management company, who has Kaycee as his client.
|<ref>[https://www.washingtonpost.com/entertainment/theater_dance/these-dance-influencers-are-taking-center-stage-online/2019/10/17/82bc95f0-ef87-11e9-b2da-606ba1ef30e3_story.html Janet Jackson hired her as a backup dancer. Instagram made her a star.]</ref>
|-
|2018.05.30
|The Daily Mail
|''Talented teen dancers reduce J.Lo to tears while performing BLINDFOLDED on World of Dance in powerful routine about love and romance that earned a standing ovation from every judge''
|About [[Sean Lew]] & Kaycee's qualifier performance at NBC's World of Dance.
| You made really an impact when people still talking about and remember on a dance performance two years later.
|<ref>[https://www.dailymail.co.uk/femail/article-5786909/Talented-teen-dancers-leave-Jennifer-Lopez-TEARS-powerful-World-Dance-number.html Talented teen dancers reduce J.Lo to tears while performing BLINDFOLDED on World of Dance in powerful routine about love and romance that earned a standing ovation from every judge]</ref>
|}

===Dance and Sports Magazine Articles===
{| class="wikitable"
! Date
! Newspaper
! Title
! Subject
! Notes
! Refs
|-
|2019.08.26
|DanceSpirit
|''Five Young Choreographers Using the Internet as Their Stage''
|How [[Bailey Sok]], Josh Killacky, [[Julian DeGuzman]], [[Taylor Hatala ]] and Kaycee use social media as launch pads for their choreography.
|''When Rice shares her work on YouTube, she hopes fans will see that she's still learning. "Your imperfections are what draw people into your journey," she says. "They help viewers realize that you're human."''
|<ref>[https://www.dancespirit.com/young-choreographers-on-youtube-2640038024.html Five Young Choreographers Using the Internet as Their Stage]</ref>
|-
| rowspan="2" |2016.11.23
| rowspan="2" |ESPN Magazine
| rowspan="2" |''Balancing homework and Hollywood -- the real life of dance parents''
|About the efforts, secrifices and risks of a successful dance career. Risks and benefits of using social medias. Side-effects for kids and families in show business.
|An really excellent article from Sean Hurd. Well, Kaycee expierenced clearly not a "Michael Jackson Childhood Trauma", especially considering the burdens and pressure to be a professional since she was 11 years old. But the article described the dark side of it. But also most impressive, despite her success, she gets it managed having a lots of fun, lives her life and handles the typical teenage pubertal problems  as well.
|<ref>[https://www.espn.com/espnw/culture/feature/story/_/id/18124709/balancing-homework-hollywood-real-life-dance-parents Balancing homework and Hollywood -- the real life of dance parents]</ref>
|-
| colspan="3" |''"If the day-to-day tasks seem daunting, grooming the next wave of dance superstars is no easy undertaking either, nor is it cheap. Since committing full-time to their children's careers, the parents unanimously said that between travel, hotels, classes and studio time, a family could expect to spend anywhere between $30,000 and $36,000 per year on dance-related expenses.''

''It's no secret that the dance industry is extremely cutthroat -- only so many performers can go on tour with Beyoncé after all. Television shows like the Lifetime Network's "Dance Moms" have attempted to depict the industry's competitive nature. Ultimately, the show has created a limited image of what it means to be a stage parent. It's a portrait that many agree isn't exactly accurate either. The Rices, who appeared on the show in recent years, described the experience as a negative one, adding that they wouldn't do it again if given the opportunity. "Shows like 'Dance Moms' gives parents a bad rap in the eye of people who are not involved in the industry," said Kaycee's mother, Laura Rice, who formerly owned Studio 13 in Simi Valley, California, where her daughter used to practice. "You know, there's drama, but nothing like that show."''

''The lives of Aidan, Kaycee and Taylor -- plus those of their respective families -- were completely altered once their performances exploded in the social media sphere, prompting a huge role-of-dice commitment. And as you might have guessed, there is no guided path for success in this game -- it's all essentially trial by error for the somewhat new industry. "We just started getting our feet wet," said Brad Rice, Kaycee's dad. "There was a lot of good, and some negative that came out of it. It was getting through that gray area and learning about things. We just wanted to protect her."''

''Actually, the life of a dance parent could easily be summed up in a single word: sacrifice. The levels of sacrifice among families range from the simple but time-consuming act of shuttling kids to daily classes or castings to more extreme levels like prioritizing your child's career over your own and quitting your job.''

''Laura said that private lessons for Kaycee could run as high as $200 per hour, and commissioning a piece of choreography for a competition or project could run a bill ranging from $500 to $1,500.''

''"Parents think that it's easy because they see successful kids shooting up to the top," Laura Rice said. "What they don't realize is how many hours, the time, the dedication, the expense and everything else. Not all kids want to do this, and not all kids can handle it either. You need to have a lot of thick skin as a parent and as a child."''

''While some jobs do pay the kids, Brad Rice says the dance industry is not a lucrative business, not yet anyway. "Dance hasn't come quite as far as other fields of entertainment," he said. "In dance, you do a lot of work for very little pay. When someone sees a kid getting all of this exposure, they immediately equate that to stardom, and stardom which creates all this income. But it really isn't that for the dance industry."''

''All three sets of parents said that they have been criticized by people who disagree with different aspects of their children's pursuit of a professional career at such a young age. Teresa said much of the passed judgment revolves around the language of hip-hop lyrics, and the type of choreography the kids are performing, which is often described by critics as lewd and inappropriate for kids. While the parents understand the concern and acknowledge the potentially mature subject matter their kids can be dancing to in any given class, at the end of the day for them, it's just dance -- the underlying meaning associated with the lyrics is subjective. "When dancers dance, especially at a young age, they're not thinking the way adults are seeing it," Laura Rice said. "Sometimes their bodies move in certain ways. You can't teach children to dance that way, they just dance."''

''"When people say 'you have to be all in,'" Teresa said, "we are all in."''
|}