Audrey Lane-Partlow: Difference between revisions

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*''"Her [https://en.wikipedia.org/wiki/Myers%E2%80%93Briggs_Type_Indicator MBTI] would be C.U.T.E."'' (one of her Jam Republic crew members. If you have studied psychology, you know there is no C and U type in MBTI.)

*''"How will she do it with that pretty face?"'' (Stereotypes of a opponent team member from the stands about her, shortly before Audrey blew off. And a little envy.) She didn't, but with her arms, hands, feet a.s.o, while other contestants had really some minor injuries in their faces with band-aids. Maybe that's why they got so jealous?!? Because, it might just western taste, but no one of the Korean or Japanese ladies were ugly in any way. Many very pretty one must say. Perhaps the perspective was vise versa. Audrey looked more exotic to the Asian women, because Anne Hathaway was also popular.

*''"Audrey. She obviously lacks experience. She is like an amateur dancer.''" (Lia Kim of 1Million) - There is some truth in it. Lia assessed Audrey by working with big celebraties or big shows in her resume and before Coachella there was just two rounds of NBC WoD 3 - Ersay Üner in outside Turkey not very known, and may there is more we cannot find - because they were not fat years for Audrey before that. COVIT-19, the closer of IMMA, and many more. Her friends with the big gigs and celebrities in their resumes brought her in when they had opportunities, because her actual weaknesses were networking, self marketing and working in and for long term projects (business skills); not her skills or talent as a dancer, choreographer or are not good looking. Without that, careers as independent contractor or sub-contractor by an agency are much more depending on flukes aka luck. These days there are in average just every 4-5 months a classic audition on stage with a statistical 1 to 30 chance to get booked. Dancers are mostly strait requested and booked by their social-media presence and resume. So for Audrey it changed drastically with Jam Republic and SWF 2. Before the show Jam Republic Agency [https://www.instagram.com/jamrepublictheagency/p/CuHY9SQpFw5/?img_index=1 promoted Audrey this way]. Crew, show and agency, just changed by a head jump into freezing water to a foreign country, without a clue how big the show is or it becomes, the show concept and being 'the fish out of the water' over there. Of course, she had mental heath iusses. Home sick, left problems behind are still burning, while she is bounded in Asia to earn some firefighting water and hoping her friends and family can care about this. Felt isolated in a lonely hotel room and hoping someone out there speaks English. Not talking about high professional expectations not anyone let down in a committed contract in a staff of about hundred people over a few months, putting pressure on herself and from outside when the show blew up by hundreds of million views as one highlighted star. So naturally Jam Republic became her sisters and members from the other crews too. That brings maturity, confidence and at last being grown up. In a live show where everyone is watching, [https://www.instagram.com/p/CzGhsnnJPvZ/?img_index=1 how Audrey was changing], get respected by community-oriented Asian TV watchers and crews, and beloved. But concerning her business and entrepreneur skills there is still a lot of space to improve. Maybe she should take Matt Steffania's advices with the bad title - [https://www.youtube.com/watch?v=dui3dawiog0 If you want to be famous but you’re lazy, please watch this].

*''"Audrey. She obviously lacks experience. She is like an amateur dancer.''" (Lia Kim of 1Million) - There is some truth in it. Lia assessed Audrey by working with big celebraties or big shows in her resume and before Coachella there was just two rounds of NBC WoD 3 - Ersay Üner in outside Turkey not very known, and may there is more we cannot find - because they were not fat years for Audrey before that. COVIT-19, the closer of IMMA, and many more. Her friends with the big gigs and celebrities in their resumes brought her in when they had opportunities, because her actual weaknesses were networking, self marketing and working in and for long term projects (business skills); not her skills or talent as a dancer, choreographer or are not good looking. Without that, careers as independent contractor or sub-contractor by an agency or studios are much more depending on flukes aka luck. These days there are in average just every 4-5 months a classic audition on stage with a statistical 1 to 30 chance to get booked. Dancers are mostly strait requested and booked by their social-media presence and resume. So for Audrey it changed drastically with Jam Republic and SWF 2. Before the show Jam Republic Agency [https://www.instagram.com/jamrepublictheagency/p/CuHY9SQpFw5/?img_index=1 promoted Audrey this way]. Crew, show and agency, just changed by a head jump into freezing water to a foreign country, without a clue how big the show is or it becomes, the show concept and being 'the fish out of the water' over there. Of course, she had mental heath iusses. Home sick, left problems behind are still burning, while she is bounded in Asia to earn some firefighting water and hoping her friends and family can care about this. Felt isolated in a lonely hotel room and hoping someone out there speaks English. Not talking about high professional expectations not anyone let down in a committed contract in a staff of about hundred people over a few months, putting pressure on herself and from outside when the show blew up by hundreds of million views as one highlighted star. So naturally Jam Republic became her sisters and members from the other crews too. That brings maturity, confidence and at last being grown up. In a live show where everyone is watching, [https://www.instagram.com/p/CzGhsnnJPvZ/?img_index=1 how Audrey was changing], get respected by community-oriented Asian TV watchers and crews, and beloved. But concerning her business and entrepreneur skills there is still a lot of space to improve. Maybe she should take Matt Steffania's advices with the bad title - [https://www.youtube.com/watch?v=dui3dawiog0 If you want to be famous but you’re lazy, please watch this].

*''"She is still like a baby." .. "She is a pretty doll. So she could just stand still and do nothing."'' (powered by sub-leader Mini of Wolf'Lo).

*''"She is a pretty doll." ... "I think she is on a baby level."'' (SWF2; most dancers saw her as the weak one, but then her eyes changed and scared everyone.)

@@ Line 468: / Line 468: @@
 *''"Her [https://en.wikipedia.org/wiki/Myers%E2%80%93Briggs_Type_Indicator MBTI] would be C.U.T.E."'' (one of her Jam Republic crew members. If you have studied psychology, you know there is no C and U type in MBTI.)
 *''"How will she do it with that pretty face?"'' (Stereotypes of a opponent team member from the stands about her, shortly before Audrey blew off. And a little envy.) She didn't, but with her arms, hands, feet a.s.o, while other contestants had really some minor injuries in their faces with band-aids. Maybe that's why they got so jealous?!? Because, it might just western taste, but no one of the Korean or Japanese ladies were ugly in any way. Many very pretty one must say. Perhaps the perspective was vise versa. Audrey looked more exotic to the Asian women, because Anne Hathaway was also popular.
-*''"Audrey. She obviously lacks experience. She is like an amateur dancer.''" (Lia Kim of 1Million) - There is some truth in it. Lia assessed Audrey by working with big celebraties or big shows in her resume and before Coachella there was just two rounds of NBC WoD 3 - Ersay Üner in outside Turkey not very known, and may there is more we cannot find - because they were not fat years for Audrey before that. COVIT-19, the closer of IMMA, and many more. Her friends with the big gigs and celebrities in their resumes brought her in when they had opportunities, because her actual weaknesses were networking, self marketing and working in and for long term projects (business skills); not her skills or talent as a dancer, choreographer or are not good looking. Without that, careers as independent contractor or sub-contractor by an agency are much more depending on flukes aka luck. These days there are in average just every 4-5 months a classic audition on stage with a statistical 1 to 30 chance to get booked. Dancers are mostly strait requested and booked by their social-media presence and resume. So for Audrey it changed drastically with Jam Republic and SWF 2. Before the show Jam Republic Agency [https://www.instagram.com/jamrepublictheagency/p/CuHY9SQpFw5/?img_index=1 promoted Audrey this way]. Crew, show and agency, just changed by a head jump into freezing water to a foreign country, without a clue how big the show is or it becomes, the show concept and being 'the fish out of the water' over there. Of course, she had mental heath iusses. Home sick, left problems behind are still burning, while she is bounded in Asia to earn some firefighting water and hoping her friends and family can care about this. Felt isolated in a lonely hotel room and hoping someone out there speaks English. Not talking about high professional expectations not anyone let down in a committed contract in a staff of about hundred people over a few months, putting pressure on herself and from outside when the show blew up by hundreds of million views as one highlighted star. So naturally Jam Republic became her sisters and members from the other crews too. That brings maturity, confidence and at last being grown up. In a live show where everyone is watching, [https://www.instagram.com/p/CzGhsnnJPvZ/?img_index=1 how Audrey was changing], get respected by community-oriented Asian TV watchers and crews, and beloved. But concerning her business and entrepreneur skills there is still a lot of space to improve. Maybe she should take Matt Steffania's advices with the bad title - [https://www.youtube.com/watch?v=dui3dawiog0 If you want to be famous but you’re lazy, please watch this].
+*''"Audrey. She obviously lacks experience. She is like an amateur dancer.''" (Lia Kim of 1Million) - There is some truth in it. Lia assessed Audrey by working with big celebraties or big shows in her resume and before Coachella there was just two rounds of NBC WoD 3 - Ersay Üner in outside Turkey not very known, and may there is more we cannot find - because they were not fat years for Audrey before that. COVIT-19, the closer of IMMA, and many more. Her friends with the big gigs and celebrities in their resumes brought her in when they had opportunities, because her actual weaknesses were networking, self marketing and working in and for long term projects (business skills); not her skills or talent as a dancer, choreographer or are not good looking. Without that, careers as independent contractor or sub-contractor by an agency or studios are much more depending on flukes aka luck. These days there are in average just every 4-5 months a classic audition on stage with a statistical 1 to 30 chance to get booked. Dancers are mostly strait requested and booked by their social-media presence and resume. So for Audrey it changed drastically with Jam Republic and SWF 2. Before the show Jam Republic Agency [https://www.instagram.com/jamrepublictheagency/p/CuHY9SQpFw5/?img_index=1 promoted Audrey this way]. Crew, show and agency, just changed by a head jump into freezing water to a foreign country, without a clue how big the show is or it becomes, the show concept and being 'the fish out of the water' over there. Of course, she had mental heath iusses. Home sick, left problems behind are still burning, while she is bounded in Asia to earn some firefighting water and hoping her friends and family can care about this. Felt isolated in a lonely hotel room and hoping someone out there speaks English. Not talking about high professional expectations not anyone let down in a committed contract in a staff of about hundred people over a few months, putting pressure on herself and from outside when the show blew up by hundreds of million views as one highlighted star. So naturally Jam Republic became her sisters and members from the other crews too. That brings maturity, confidence and at last being grown up. In a live show where everyone is watching, [https://www.instagram.com/p/CzGhsnnJPvZ/?img_index=1 how Audrey was changing], get respected by community-oriented Asian TV watchers and crews, and beloved. But concerning her business and entrepreneur skills there is still a lot of space to improve. Maybe she should take Matt Steffania's advices with the bad title - [https://www.youtube.com/watch?v=dui3dawiog0 If you want to be famous but you’re lazy, please watch this].
 *''"She is still like a baby." .. "She is a pretty doll. So she could just stand still and do nothing."'' (powered by sub-leader Mini of Wolf'Lo).
 *''"She is a pretty doll." ... "I think she is on a baby level."'' (SWF2; most dancers saw her as the weak one, but then her eyes changed and scared everyone.)