Kaycee Rice: Difference between revisions
imported>KidsSupport |
imported>KidsSupport |
||
| Line 1,084: | Line 1,084: | ||
| colspan="3" |''"So I went in not knowing anybody, and 1,000 girls were auditioning—and they were looking for one. Yeah. Because Carmit [Bachar] from the Pussycat Dolls was [Beyoncé’s] back-up dancer at the time, but they had just signed their record deal for the Pussycat Dolls so she couldn’t dance anymore. So they had to find a replacement for her and had all these auditions for the one girl. I remember going in, and I’m such a hip-hop girl that I remember going in dressed for, like, a Missy Elliot audition—seriously. I had the big hoops, I had booty shorts on, I had this bright, neon New York jacket and Air Force 1 stilettos. I just looked completely different. The other girls were really pretty, hair down, open-toe heels, spaghetti-strap dresses—just so Beyoncé, and I was so not.'' | | colspan="3" |''"So I went in not knowing anybody, and 1,000 girls were auditioning—and they were looking for one. Yeah. Because Carmit [Bachar] from the Pussycat Dolls was [Beyoncé’s] back-up dancer at the time, but they had just signed their record deal for the Pussycat Dolls so she couldn’t dance anymore. So they had to find a replacement for her and had all these auditions for the one girl. I remember going in, and I’m such a hip-hop girl that I remember going in dressed for, like, a Missy Elliot audition—seriously. I had the big hoops, I had booty shorts on, I had this bright, neon New York jacket and Air Force 1 stilettos. I just looked completely different. The other girls were really pretty, hair down, open-toe heels, spaghetti-strap dresses—just so Beyoncé, and I was so not.'' | ||
''I remember going in and I was in the back, it was this huge cattle call, and I was like, ‘Why am I even here? This will never happen.’ And I remember having to leave the audition early, so I went up to the choreographer, Frank Gatson, and I gave him my headshot and I was like, ‘Hey, I have a show, I have to leave.’ And he was like, ‘Well, just go in the first group before you go.’ So he watched me the whole time, and then he asked me what my sign was. I told him I’m a Capricorn and he was like, ‘Okay.’ And then I got a call a few days later saying that there was only 13 girls left, and you’re one of them, and then when I showed up to the callback there was only four of us there. It wasn’t normal. It was the craziest thing. For me, I felt like, ‘I’m not gonna get it anyways,’ so I was just really comfortable, like I’m just gonna live my life. I completely stood out. I was like, ‘No one’s gonna hire this hip-hop girl.’ They’re looking for a Caucasian girl to replace Carmit. And I’m Latin, and just dressed completely different. But I ended up booking it."'' - Tricia Miranda about her Audition for Beyoncé <ref>[https://hellogiggles.com/reviews-coverage/tricia-miranda-beyonce-dancer/ eleb choreographer Tricia Miranda told us how she beat out 1,000 dancers for a spot on Beyoncé's tour]</ref> | ''I remember going in and I was in the back, it was this huge cattle call, and I was like, ‘Why am I even here? This will never happen.’ And I remember having to leave the audition early, so I went up to the choreographer, Frank Gatson, and I gave him my headshot and I was like, ‘Hey, I have a show, I have to leave.’ And he was like, ‘Well, just go in the first group before you go.’ So he watched me the whole time, and then he asked me what my sign was. I told him I’m a Capricorn and he was like, ‘Okay.’ And then I got a call a few days later saying that there was only 13 girls left, and you’re one of them, and then when I showed up to the callback there was only four of us there. It wasn’t normal. It was the craziest thing. For me, I felt like, ‘I’m not gonna get it anyways,’ so I was just really comfortable, like I’m just gonna live my life. I completely stood out. I was like, ‘No one’s gonna hire this hip-hop girl.’ They’re looking for a Caucasian girl to replace Carmit. And I’m Latin, and just dressed completely different. But I ended up booking it."'' - Tricia Miranda about her Audition for Beyoncé <ref>[https://hellogiggles.com/reviews-coverage/tricia-miranda-beyonce-dancer/ eleb choreographer Tricia Miranda told us how she beat out 1,000 dancers for a spot on Beyoncé's tour]</ref> | ||
|- | |||
|YT | |||
|2019.02.07 | |||
|Electricity - Silk City & Dua Lipa | |||
|Choreography/Concept:<br/>Gene Tapia | |||
|Starring Solo | |||
|Styled:<br/>Kiara Hatcher-Ivan<br/>Directed, Filmed and Edited:<br/>Chris Koehl<br/>DanceOn described it as freestyle concept. | |||
|- | |- | ||
|rowspan="2" |YT | |rowspan="2" |YT | ||
| Line 1,094: | Line 1,101: | ||
|- | |- | ||
| colspan="3" |''"This is about how some of society sees people through social media and how sometimes they expect everyone to be "perfect". But perfect doesn't mean anything except being truly 100% YOU. Don't try to change yourself to please anybody else. We are all different. We all have different paths. Give up on trying to be the "perfect" person but never give on trying to be the perfect you. Spread love, kindness, and positivity and just be you😇"'' - Kaycee's Epilogue | | colspan="3" |''"This is about how some of society sees people through social media and how sometimes they expect everyone to be "perfect". But perfect doesn't mean anything except being truly 100% YOU. Don't try to change yourself to please anybody else. We are all different. We all have different paths. Give up on trying to be the "perfect" person but never give on trying to be the perfect you. Spread love, kindness, and positivity and just be you😇"'' - Kaycee's Epilogue | ||
|- | |||
|YT | |||
|2019.03.06 | |||
|Daddy Issues - Sophia Gonzon | |||
|Choreography and "Concept":<br/>Kaycee Rice<br/>Filmed:<br/>[[Sean Lew]] | |||
|Starring Solo and Choreography | |||
|Editing:<br/>Andrea H Dance.<br/> Looks like Kaycee's ghost channel. Not all filmed choreo outside the studio is a concept video. What is the story? What are the patterns? What is the message? - @Sean: Teach her! | |||
|- | |||
|} | |} | ||