Kaycee Rice: Difference between revisions
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| rowspan=" | | rowspan="5" |YT | ||
| rowspan=" | | rowspan="5" |2019.01.16 | ||
| rowspan=" | | rowspan="5" |Game of Survival - RUELLE - FORTYONE | ||
|Co-Directed and Choreography by Janelle Ginestra-Adams<br />Co-Directed & Filmed by Spaced Visuals<br />Styled by Erica Mer<br />Assisted by Jalen Preston | |Co-Directed and Choreography by Janelle Ginestra-Adams<br />Co-Directed & Filmed by Spaced Visuals<br />Styled by Erica Mer<br />Assisted by Jalen Preston | ||
|A candidate dancer who takes a audition with No. 59.<br />Plot:<br />A cutthroat audition to get a role on a movie. 59 gets second - or say better - zero points, because she cannot be true on herself. | |A candidate dancer who takes a audition with No. 59.<br />Plot:<br />A cutthroat audition to get a role on a movie. 59 gets second - or say better - zero points, because she cannot be true on herself. | ||
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[https://www.youtube.com/watch?v=HD_DVJTXCz0 Helping Video - Nietzsche, Bowie, and the Way of the Creating One] | [https://www.youtube.com/watch?v=HD_DVJTXCz0 Helping Video - Nietzsche, Bowie, and the Way of the Creating One] | ||
[https://www.dk.com/us/book/9780756668617-the-philosophy-book/ Bestseller Nutshell School Book Philosophy] | [https://www.dk.com/us/book/9780756668617-the-philosophy-book/ Bestseller Nutshell School Book Philosophy] | ||
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| colspan="3" |''"So I went in not knowing anybody, and 1,000 girls were auditioning—and they were looking for one. Yeah. Because Carmit [Bachar] from the Pussycat Dolls was [Beyoncé’s] back-up dancer at the time, but they had just signed their record deal for the Pussycat Dolls so she couldn’t dance anymore. So they had to find a replacement for her and had all these auditions for the one girl. I remember going in, and I’m such a hip-hop girl that I remember going in dressed for, like, a Missy Elliot audition—seriously. I had the big hoops, I had booty shorts on, I had this bright, neon New York jacket and Air Force 1 stilettos. I just looked completely different. The other girls were really pretty, hair down, open-toe heels, spaghetti-strap dresses—just so Beyoncé, and I was so not. | |||
I remember going in and I was in the back, it was this huge cattle call, and I was like, ‘Why am I even here? This will never happen.’ And I remember having to leave the audition early, so I went up to the choreographer, Frank Gatson, and I gave him my headshot and I was like, ‘Hey, I have a show, I have to leave.’ And he was like, ‘Well, just go in the first group before you go.’ So he watched me the whole time, and then he asked me what my sign was. I told him I’m a Capricorn and he was like, ‘Okay.’ And then I got a call a few days later saying that there was only 13 girls left, and you’re one of them, and then when I showed up to the callback there was only four of us there. It wasn’t normal. It was the craziest thing. For me, I felt like, ‘I’m not gonna get it anyways,’ so I was just really comfortable, like I’m just gonna live my life. I completely stood out. I was like, ‘No one’s gonna hire this hip-hop girl.’ They’re looking for a Caucasian girl to replace Carmit. And I’m Latin, and just dressed completely different. But I ended up booking it."'' - Tricia Miranda about her Audition for Beyoncé <ref>[https://hellogiggles.com/reviews-coverage/tricia-miranda-beyonce-dancer/ eleb choreographer Tricia Miranda told us how she beat out 1,000 dancers for a spot on Beyoncé's tour]</ref> | |||
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|rowspan="2" |YT | |rowspan="2" |YT | ||
|rowspan="2" |2019.02.25 | |rowspan="2" |2019.02.25 | ||
|rowspan="2" |Giving Up - Mark Kovic | |rowspan="2" |Giving Up - Mark Kovic | ||
|Concept and Choreography by Kaycee Rice <br /> | |Concept and Choreography by Kaycee Rice<br /> | ||
|Starring Solo and Choreography | |Starring Solo and Choreography | ||
|Editing & Camera:<br />[[Sean Lew]] | |Editing & Camera:<br />[[Sean Lew]] | ||